
New Britain, Connecticut
I made this trip with my family to the Hudson River School by New Britain Museum of American Art. I wanted to study some Hudson River School paintings in the museum’s permanent collection. Below are a series of photographs I captured showing various closeup details for several oil paintings. The closeup details are very informative, and by studying them, a person can start to appreciate and understand how the painting layers were constructed. The colors in these photographs are not modified from my digital camera, they may not represent the colors of the paintings hanging in the museum, but they are relatively close.

Hudson River School – “The Boating Party” by George Wellington Waters

The Boating Party ca. 1870s
Oil on Canvas
Harriet Russel Stanley Fund
2005.04



Hudson River School – “Sunday Morning” by Asher Brown Durand

Sunday Morning, 1860
Oil on Canvas
Charles F. Smith Fund 1963.04
(Note: The gallery lighting creates the illusion that the sun
is located in the center of the painting, the real
location of the sun is about 2 o’clock (far right side)
and off the canvas.)

















Hudson River School – “Scene Near Fishkill Hudson River” by Paul Weber

Scene Near Fishkill Hudson River, 1855
Oil on Canvas
Promised gift of Harriet and Walter Huber
2007.40


Hudson River School – “Ipwich Marshes” by Martin Johnson Heade

Ipwich Marshes, 1867
Oil on Canvas
Stephen B Lawrence Fund 1961.16


Hudson River School – “West Rock, New Haven” by Frederic Edwin Church

West Rock, New Haven, 1849
John Butler Talcott Fund
Oil on Canvas





Hudson River School – “The Wilds of Lake Superior” by Thomas Moran

The Wilds of Lake Superior, 1864
Oil on Canvas
Charles F. Smith Fund
1944.04
Hudson River School – “Midwinter Moonlight” by Francois Gignoux

Midwinter Moonlight, before 1869
Oil on Board
Charles F. Smith Fund
Concluding Thoughts – Hudson River School by New Britain Museum of American Art
What a great exhibit of the Hudson River School by New Britain Museum of American Art. Seeing close-up of how master painters from history did their work is invaluable. In person, you can see each brush stroke, tell what the artist deliberately intended in one area, and see where some overpainting happened in another. Overpainting indicates the artists changed something they didn’t feel was right the first time they put down the paint. This visit was an education.