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Hello,
My name is John O'Keefe Jr. I was born and raised in Wallingford, Connecticut, USA, where I raised my family with my wife, Jennifer. While I am comfortable working in most mediums, I specialize in landscape oil painting, similar to the famous Hudson River School and Victorian-era artists.
ART IN MY EARLY LIFE
Like every other artist, I have loved viewing and creating art for as long as I can remember. Growing up, I always drew with pencils, colored pencils, watercolors, and just about every medium I could get my hands on. I received formal art training during my primary school years. When attending elementary school, I received specialized training at the Paier College of Art in New Haven, Connecticut. The first formal recognition of my artistic ability happened in elementary school when I won an award, placing me in the top five of a statewide student art competition. During my middle school years, I was invited to attend college-level art classes one day a week at the University of Bridgeport, Connecticut. Also, during this time, I studied watercolor painting with Connecticut artist Kathy Singer. However, my most beloved art teacher was my Aunt Ann Fucich, who instilled in me a love of art when I was a small child.
John O'Keefe posing with a drawing outside of the Museum of Natural History in Manhattan, New York, when he was seven years old
Outside the Museum of Natural History (NYC) at 7 Years Old.
(My Aunt Ann Fucich took pictures)
My love for art led me to seek a career in mechanical drafting. As new technologies emerged, I advanced to more sophisticated 3D CAD modeling systems, new product development, and, eventually, project management. Throughout the years, I completed many university courses and job-specific training to advance my mechanical design/engineering career. Even though my work was very technical, an artistic element was involved in designing new products and the associated documentation processes.
My love for creating art did not stop at drawing and painting. As a teenager, I started pursuing musical skills. My first love is the guitar, and I ran a small recording studio out of my home for a time while also playing guitar in a few bands.
The computer soon became another outlet for creating art. With my computer skills and 3D modeling experience, I began to develop a sophisticated DC-9-41 add-on cockpit package for Microsoft Flight Simulator. The project focused on the Scandinavian Airline Service (SAS) DC-9 airplane OY-KGR. There was extensive programming and many computer-generated renderings and image files assembled in real-time when the game was running, giving the person playing the experience of sitting in a real DC-9 cockpit.
A RENEWED LOVE OF ART
In 2007 my wife, Jennifer, rekindled my zeal for drawing and painting. Her encouragement and support motivated me to create O'Keefe Arts and take up oil painting as a professional artist. Jennifer also enjoys creating art, and we are working together to promote the business and my paintings because of our shared love of art.
I sell original works, accept commission work to create custom landscape paintings, and offer a variety of high-quality pigment prints, i.e., Giclee, reproductions of my artwork. (Websites: www.okeefe-arts.com and www.johnokeefe.net)
John and Jennifer O'Keefe outside of the Museum of Natural History in Manhattan, New York, when he was thirty-seven years old
Outside the Museum of Natural History (NYC) at 37 Years Old.
My paintings have been well received in the art community, allowing my works to be displayed in prestigious exhibitions and art shows. In my home state of Connecticut, the Lyme Art Gallery, Mystic Arts Center, Cate Charles Gallery, and the Mill House Gallery have exhibited my artwork. My paintings have won awards, and I have been a featured artist in a group exhibition at the Lyme Art Association's "17th Annual Associate Artists Exhibit". In April of 2009, I was elected onto the board of directors of the Cheshire Art League in Cheshire, Connecticut, and I created and managed the league's website until the fall of 2011. Organizations that I belong to are Oil Painters of America, Lyme Art Association, The Salmagundi Club of New York City, Mystic Arts Association, Cheshire Art League (until 2011), and Landscape Artists International.
In 2012, Jennifer and I created Painting Frames Plus, where people can purchase high-quality reproduction painting frames. (Website: www.paintingframesplus.com)
Art in Good Taste Fundraiser at Ives Farm by Cheshire Land Trust was my first art fundraising event. Until then, I focused on showing my work at high-end galleries and art leagues. Doing something local felt good after traveling all over Connecticut and New York the past year. (You can read the press release.)
Setting Up (9-29-2009) – Art in Good Taste Fundraiser
At first, I was a little nervous because I had never done an event like this, but as the day progressed, I started to relax and then had a good time. I want to participate in more fundraising events like this in the future. I have also begun researching the equipment I need for events like this. Thankfully the sponsors provided me with a table, chair, and hanging wall this time.
The Art Show and Auction: (9-29-2009) – Art in Good Taste Fundraiser
There was a second tent for the food and musicians. People mingled between that tent and the artist tent where I was located. I met and talked with many people as the evening progressed, including fellow artists. By the time I went home, I was flying high from all the compliments I received about my paintings. I had one of my new reproductions (‘Summer in the Valley’) sell at the event auction. Of all the items sold at the auction, my painting reproduction brought the second-highest price!
Joshua and Danielle helped me at the show: Joshua worked earlier and labeled all my paintings and reproductions. Danielle worked with me for the event and handed out business cards. Danielle also took most of the pictures of the event.
Concluding Thoughts
The Art in Good Taste Fundraiser at Ives Farm by Cheshire Land Trust was a different experience for me. At gallery opening receptions, you mingle around as part of the crowd. Here, you have your booth, people walk by, and you are the focus of their attention. I received more feedback from people and had great conversations than at most other events.
An opportunity arose to do something locally with my art. After the last several exhibitions, either in a different state or very far away, I was ready to slow down. Guess who was chosen to be the Featured Artist? John O’Keefe Jr. is Featured Artist at Art In Good Taste Fundraiser at Ives Farm in Cheshire, Connecticut. The Cheshire Land Trust sponsoring the event. Following is the official press release.
It is time for the 53rd Regional Exhibition by Mystic Art Association. Exhibitions like these are similar to job interviews. The first meeting is to review your portfolio (i.e., resume). If you pass that, you go to the next phase of being judged against other candidates (i.e., meeting more people who review your work and give you a thumbs-up or thumbs-down). Lastly, you might get to do a walk-through (i.e., the exhibition).
Here I am dropping off two paintings: “Big Cork Tree” (not accepted into the exhibition) and “Summer in the Valley” (accepted in the exhibition). I never presume which of my paintings will be well received, and it varies from judge to judge and patron to patron. However, I always get excited to hear what people think of my paintings.
Mystic Art Center (8-14-2009) – 53rd Regional Exhibition
We missed the opening reception of the 53rd Regional Exhibition by Mystic Art Association. We had personal scheduling conflicts, and the exhibition lost out. But my family and I did visit the gallery on a different date to view the show. Below are some pictures taken during that visit.
Concluding Thoughts – 53rd Regional Exhibition
I’ve learned something else since starting this art journey: it is hard work. People generally think artists do nothing but sit at their easel and make art all day long when in reality, that is just a fraction of where their time, energy, and money go. There is a lot of research on venues and galleries, traveling and meeting people, gas and eating out expenses, self-promotion expenses, commissions if you sell a work, tax on sales, etc.
Here is a brief breakdown for just one painting I sold: $1,900.00 for the painting. Deducted from that sale were sales tax, gallery commission, and FOUR trips to the venue (the interview, the drop-off, the opening reception, and the pick-up). For me, these trips always included my family, so we had lunches and dinners out. When all the expenses were added and deducted from the sale, I pocketed about $350.00 out of the $1,900.00. And that painting took over two weeks to create! These experiences taught me firsthand the meaning behind the phrase “starving artist.” You have to be genuinely committed to your craft if you want to make a career out of being an artist.
About the Judge – 53rd Regional Exhibition
Carolina Pedraza is the Head of Youth & Family Programs at The Aldrich Contemporary Art Museum, a national leader in the exhibition of challenging contemporary art and the emergence of mid-career artists. 1
Footnotes:
Bio information is taken from Mystic Art Center ‘call to artists’ exhibition press release.
This was the big day, the Opening Reception and Award Ceremony for the 2009 Annual Non-Member Painting and Sculpture Exhibition by Salmagundi Club, my first exhibition in New York City. The reception was to take place between 6:00 and 8:00 PM. But first, we planned to leave Connecticut early and see some of the sites in the city.
Walking Around New York City – 2009 Annual Non-Member Painting and Sculpture Exhibition
We planned to leave early and see some New York City sites. Our friend Joan Shackford (president of the Cheshire Art League of Cheshire, Connecticut) accompanied us.
From Washington Square, it was down to SoHo for some lunch. We enjoyed a lovely meal at an outdoor Italian restaurant. We planned to visit some art galleries but learned that many had moved uptown to the Chelsea area. However, we did manage to find a few galleries to visit.
On the way back to the Salmagundi Club, our group split; Jennifer, Joan, and Danielle made a detour to the bakery Magnolias, and Joshua and I went straight to the Salmagundi Club.
Opening Reception and Award Ceremony (7-10-2009) – Annual Non-Member Painting and Sculpture Exhibition
The big moment had arrived! Almost like clockwork, at around 6:00 PM, the gallery started filling, and it soon became a packed house.
Award Ceremony – Annual Non-Member Painting and Sculpture Exhibition
Around 6:45 PM, the Award Ceremony started. The artwork at this show was exceptional, and I was honored to have been accepted to be among such great artists.
Enjoying the Exhibition
After the Award Ceremony concluded, people began moving around and mingling again. Joshua spent most of his time listening to the live jazz band The Jeevan D’Souza Trio. He had recently begun learning to play guitar, and he was not going to pass up a chance to see live musicians playing up close.
A little later in the evening, a close family friend, Ann Benedetto, who lives near the Salmagundi Club, showed up. Ann was my mother’s best friend when they grew up together in Astoria. Ann lives and works in Manhattan and owns a clothing store in Tribeca called “ANue.”
The evening was exciting. I met several artists, and we exchanged congratulations on being in the exhibit. Later, I was introduced to the president of the Salmagundi Club, Claudia Seymore, by another elected member, Christine Ivers. I know Christine from the Connecticut art scene. Christine and Claudia sponsored me, and I filled out a membership application and submitted my portfolio, which I hope will be approved. The reception ended around 8:30 PM, and it was time to head back to Connecticut.
Heading Back to Connecticut – 2009 Annual Non-Member Painting and Sculpture Exhibition
Joshua snapped the following photos as we left the city. They are pretty good, so I decided to close this journal entry using them.
Concluding Thoughts
So ends the Annual Non-Member Painting and Sculpture Exhibition by Salmagundi Club. Today was another one of those days that was overwhelming for me. My art journey feels like it just keeps getting better and better. My previous success at the Lyme Art Association and a possible elected membership at the Salmagundi Club. I couldn’t be more pleased.
I was expanding my reach out of Connecticut and into New York City. My first out-of-state exhibit was at the Salmagundi Club. Join me as I journey to the painting drop-off for the Annual Non-Member Painting and Sculpture Exhibition judging and selection process.
Artwork Dropoff (6-27-2009) – Annual Non-Member Painting and Sculpture Exhibition
Jennifer and I woke the family early for our trip to New York City, where we would drop off my painting entitled “The Field’s Edge” at the Salmagundi Club. We always include the children in these activities connected with my paintings – We try to make these trips a fun family outing. I was incredibly excited about this trip because this exhibition is my first showing outside Connecticut and in New York City at the prestigious Salmagundi Club of all places. Very Exciting!
Visiting Uncle Ernie Sterlacci in Astoria, Queens, New York
Once the painting was safely delivered to the Salmagundi Club, we traveled to Astoria, Queens, New York, to visit with my Uncle Ernie. He lives in the house where I spent most of my childhood summers, which always brings back memories when I visit. Also, we took some time to have dinner at our favorite pizzeria down the street.
Visiting Aunt Anne Fucich in Astoria, Queens, New York
Before returning to Connecticut, we had to stop and visit my Aunt Anne Fucich, whom we affectionately call Teta Annie. She was my first art instructor as a child and is 92 years old and still living on her own in Queens. We stayed for a while, reminisced about the early days, and talked about art. Teta Anne was very excited about my painting that was accepted into the Salmagundi Club exhibition.
Below are some thoughts Teta Annie shared with us during the visit:
“People say painting is stressful, but I think it’s the opposite. Because once you begin, the ideas start flowing, and before you know it… poof… you have a painting.”
“My problem was that once I started, I just could not stop… I’ll just finish this color, and then it was I’ll just finish the next color and the next, and I just could not stop once I started.”
“I don’t think parents teach their children to be interested in art the way they used to. Today everyone watches T.V. It’s T.V. all day long, and people are not out and doing things. A little boy in my building sits in front of his T.V. from 9:00 in the morning until who knows when. I guess the mother is resting or something… (Laughter) …Give the kid a box of crayons and a coloring book, and let him start that way.”
The next time we will be back in New York is for the opening reception. I hope you enjoyed this little journey, my painting drop-off for the Annual Non-Member Painting and Sculpture Exhibition.